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Download Movie Watch Movie. Blue Is the Warmest Color HD 1080p, Blue Is the Warmest Color dvd movie, Blue Is the Warmest Color dvd movie, Blue Is the Warmest Color online fast download, When I read the graphic novel that this film is loosely based on, I was completely blown away by its sheer truthfulness, emotion and beauty.
Adele’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.
Director: Abdellatif Kechiche
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- Watch Blue Is the Warmest Color movie. Blue Is the Warmest Color stream online. Blue Is the Warmest Color movie online. Blue Is the Warmest Color dvdrip movie. Adele’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult.
- August 24, 2020 18+ Movies 300MB Movies Blue Is The Warmest Color 2013 English 600MB BluRay Download 18+ Blue Is The Warmest Color 2013 English 600MB BluRay Download IMDB Ratings: 7.7/10.
- The sensation of the Cannes Film Festival and the most controversial film of the year, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d'Or to both its director and its actresses.
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I didn’t get as much out of this film as some although I think it does some things very well.
But the main thing this work made me think about was the degree to which I was qualified to judge it. It’s a meditation by Abdellatif Kechiche, a male (and, I’m guessing, heterosexual) writer-director on the differences in the ways men and women experience love and sex. It follows several years in the lives of two lesbian lovers, Adele and Emma, who meet when the former is in her teens and the latter in her early twenties. I can’t say the relationship struck me particularly realistic or believable, but who am I to evaluate such a depiction as I am male and have thus never loved as a woman, have never had a homosexual relationship, and, to be a bit confessional, did not have any serious heterosexual relationships until I was older than Adele is (early to mid twenties) even by the end of the film? Yet, the auteur has no experience of at least the first, and it seems to me, most significant of these experiences and I questioned several times Kechiche’s qualifications to depict this relationship. Can any depiction of lesbian love by a male artist be genuine, especially one this sexually charged? Here’s what I think is impressive about the film. At first, the storytelling struck me as very straightforward, even unimaginative. But then I picked up on its uniquely subtle way of conveying the passage of time. Years pass within the narrative with straight cuts and no direct way of knowing that any substantial time has passed from the last scene, less how much time. The viewer is clued into the nature of its narrative time only through the behavior of the two central characters, or really, I would say, the film’s sole central character, Adele (more on that later). This forces us to focus on the film’s central theme: the way the relationships we choose shape our other decisions and gradually mold who we become (or don’t become) over the course of time. None of this would be successfully conveyed if not for the extraordinary performance of Adele Exarchopoulos who fleshes out Adele’s transition from adolescent to adult with exceptional subtlety and complexity. Watching the film, I was convinced Exarchopoulos had to be in her late twenties and doing a brilliant job of playing a teenager in the film’s early scenes. The revelation that she is in fact a teenager playing a grown woman in the film’s later scenes makes the performance all the more remarkable.
Now we come to what I liked about the film that makes me scrutinize myself. Much has been written about the extremely graphic nature of the film’s sex scenes, most of them between Adele and Emma. Watching them, I felt that for such graphic cinematic depictions of sex they were unique in not feeling „pornographic“, and let me explain exactly what I mean by that. Even an „artistic“ film of great sexual graphicness, such as „In the Realm of the Senses,“ feels somewhat pornographic in the sense that it is going to great lengths to hold up sex-as-spectacle. The sex in „Blue is the Warmest Color“ seemed to me, as I viewed it, an essential part of trying to understand the particular relationship that develops between Adele and Emma which is, they both make clear in words as well as deeds, hinged first and foremost on their sexual chemistry. (Here just a quick note: the longest sex scene depicts Adele’s and Emma’s first time together. I found it romanticized and unrealistic that a first time between any two partners, particularly when one is as young and inexperienced as Adele, could be THAT mind-blowing, but then maybe I am prejudiced by the limitations of my own experiences…)
But here, too, I feel the need to interrogate myself. As a hetero-male viewer I greatly, ummm, enjoyed these scenes, and I probably feel the need to tell myself my pleasure was mainly „cultural.“ I couldn’t help but wonder if Kechiche hadn’t, ummm, enjoyed directing those scenes. I don’t mean that to sound accusatory (even if the two actresses‘ accusations about Kechiche’s behavior on the set are disturbing). I think that Kechiche’s motivations at least could have been quite brave- an attempt to affirmatively depict a kind of love he can never know. But did he question his motivations for directing these scenes? I couldn’t be sure. And how could he not question the motivations of his audience (uh, like me) for watching them? Now for the aspects of the film that just plain disappointed me: The fact that Adele emerges as such a fully-drawn character is all the more remarkable because she exists, she transforms, in relation to Emma, who barely deserves to be called a character. I am surprised and disappointed that more critics haven’t pointed this out. It is no fault of Lea Seydoux, the actress who plays Emma. Seydoux does a fine job with a terribly written part. But Emma is not just a clich
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